(3/15) “We lived in a house that my great grandfather bought in the 1930’s. My mother was in charge of decorating. Every room she’d fill with little tchotchkes: santa on a ladder, santa on the beach, santa on skis. There was a banner in the living room with every photo we’d taken at Macy’s. And below that we’d lean my grandfather’s cane against the wall. It was our own little homage to Miracle on 34th Street. We’d watch it every year on Channel 11. My mother cried through the whole thing. But the final scene we loved most of all. When the little girl, the one who never believed, finally gets her house. And Kris Kringle’s cane is leaning against the fireplace. The movie ends with a question: Was he real? Or was he not? We didn’t have a fireplace in our house. So we set our milk and cookies by a pipe in the kitchen. Christmas Eve in an Italian family. It’s very big. We call it The Feast of The Seven Fishes. We never had exactly seven, but we’d cook Scungilli, Whiting, Calamari. After dinner my mother would set aside time for me to do my magic. Back then it was simple stuff: card tricks, silk scarves, sponge rabbits. But not for long, not for long. That night I was too excited to sleep. I could see myself on the stage of my school’s auditorium. I could picture the faces of my classmates: everyone cheering, everyone amazed. Look at Johnny! Real parlor tricks! A professional magician! All of a sudden I’m snapped back to real life by a ruckus in the hallway. It’s coming from the front door. Very strange, because we only use the side door. I crawl out of bed and peek into the hallway. Could it be? The Big Man himself? With a bulging sack of magic tricks? No, no. It’s my mother and father. With Mary and Joe from next door, and they’re carrying bags. Big bags, full of stuff. And it begins to click. The whole thing is a dupe! A parlor trick! Just then my youngest brother Anthony wakes up. He says: ‘Johnny, Johnny, is it Santa?’ I’m about to tell him. But that’s when I see it. This little blue and white bike, with training wheels, and a six on the front. I pull the door shut, and say: ‘Not yet, Anthony. It’s just Mary and Joe, coming to visit. Let’s go back to sleep.’”